![]() You get a new piece of software and can't wait to rip into it. SKILLS AND KNOWLEDGE ARE THE NEW KILLER APPS How to associate your instruments harmonic richness with its visual representation.Why tuning softly on lower keys and sharper on higher notes ensures that all harmonics fall into tune.Where a simple positive octave offset can simulate the stretch tuning used by the world’s most famous Grand Piano master builders.(A negative octave stretch value will do the exact opposite!) Ways to stretch octaves for sharper notes high on the keyboard or flatter notes when playing lower keys.How to use offsets to achieve a more natural acoustic sound.A time-saving method to use the key scaling menu to specify how the operator’s amplitude changes across the keyboard range.Three menus of the expert section of FM8: key scaling, spectrum and pitch. ![]() In Tutorial Video 3, “Key Scaling, Pitch and Spectrum,” we’ll be taking a deeper look into these last How to introduce harmonic effects with the help of a second operator, and use a second LFO to modulate this new operator with the same mod wheel control as the first one!.How to ensure that the LFO resets to the beginning of the waveform every time you press a key.How to create a classic siren often used in Dub and Electronic Music (And also in every sci-fi movie!).How to use LFOs to get really exciting results-you can specify a waveform type, invert its phase, and also set its rate, delay, key and velocity scale.The easiest way to solve this problem is to simply soften the attack and release of the operators. This happens often when you are modulating sine waves. Insider tip: Sometimes you get a clicking sound in the beginning and end of each note.(This can be done with every operator including X and Z by building different groups of operators.) This way you can save a lot of time without having to go through every operator menu. How to link two operators so you can edit parameters of both without having to go jumping from one to another.We look at how to select and edit amplitude envelopes for all operators. In Tutorial Video 2, “Envelopes and Modulation Matrix,”” Now that you are ramped up with the advanced concepts of the Matrix, we move forward with aĬloser look at modulation and key scaling. ![]() ![]() (Warning: If you push the feedback option up to its limits you will see that in the harmonics display you will have a more complex pattern, but at extreme levels it will just sound like noise!)
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